#65: GOLDENEYE

 

STARRING: Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Joe Don Baker, Alan Cummings, Dame Judi Dench and Samatha Bond. Story by Michael France. Screenplay by Jeffrey Caine and Bruce Feirstein. Directed by Martin Campbell. Music by Eric Serra. Special effects by Derek Meddings. Running time 130 minutes. Budget $60 million. Boxoffice £356.4 million. Originally released in 1995.

And so it came to pass that after a six-year absence James Bond did return for his 17th cinematic outing, in the guise of Irish actor Pierce Brosnan. Featuring a new Miss Moneypenny, now played by Samatha Bond and a new female M played by the superlative Dame Judi Dench, this was the Bond franchise Rejuvenated and invigorated. It was also the first Bond film not be based, in any small part on the works of Ian Flemming, the first without Cubby Broccoli's involvement and with a new director replacing long-time stalwart John Glenn. It marked a new beginning for series and was the first to seriously try and update the whole template of Bond. There was a lot riding on this one and its success would herald a new era of Bond which would go on to see some of the best entries of the entire series and also some of the absolute worst. 

The story sees little Jimmy Bond going up against the Huge Janus crime syndicate run by Sean 'Bastard' Bean's in a post Soviet Union collapse (rather amusing in this day and age) he's got his hands on the Goldeneye EMP device and Jimmy's keen to get it back before his old work buddy Alec Trevelyan 006 can steal loads of stuff from his super-duper secret satellite dish complex in Cuba. Along for the ride and to be his reward for a job well done is Natalya Simonova (Izabella Scorupco), a Goldeneye computer game programmer. 

Actually, come to think about it, this film is very female-centric, what with Dench's M, Samantha Bond's Miss Moneypenny who's not tolerating any of Bond's leery innuendo, Trevelyan's henchwomen Xenia Onatopp (Famke Janssen) who gets sexually aroused by murder and killing and the aforementioned Natalya. See, strong female characters. 

Despite the reboot, this new Bond film still features many of the tropes that made the series so successful, the visit to Q Branch and its head Q (Desmond Llewelyn), the gun barrel, the iconic Bond March, the gadgets, guns and cars. 

And where as time seems to have been rather kind to Goldeneye, it's not a perfect film. The music by newbie to the series Eric Serra is, in a word, shit. Ghastly 'whaa-waa' twanged disco funk that sits badly with the action and makes you crave a good-old meaty John Barry score. 

I've not seen this up on the big screen since 1995 so it's a nice coincidence that the screening I saw just so happened to be the 30th anniversary of Goldeneye! What a nice surprise.  

This starts extremely well, with one of the best pre-credit sequences ever, that valiantly tries to out-do sublime The Spy Who Loved Me and fails. It introduces the new Bond perfectly even if Bronson doesn't quite feel comfortable in the role and he brings some lovely little tweaks to the mythos of Bond, the straightening of his tie, the way he pouts when peeved and some youthful energy. However he's also a rather seedy, tad creepy and rather predatory Bond and some of his innuendo schtick is rather icky. Martin Campbell, who directs, brings some much needed energy to the proceedings, and helped to kickstart this post-Berlin wall Bond. Special mention also to the special effects of Derek Medding and his crew. using models and practical effects, the film action set pieces are downright superb and some of the best of the series.

While this is definitely not my favourite Bond film, that honour belongs to The Spy Who Loved Me, Goldfinger and Casino Royale, this is my favourite Pierce Bronson Bond and it was an absolute treat to see it writ large on the silver screen again. 

8/10