#37: THE PHOENICIAN SCHEME

 

STARRING: Benicio Del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Bill Murray and Hope Davis. Story by Wes Anderson and Roman Coppola, screenplay by Wes Anderson. Directed by Wes Anderson. Running time 109 minutes.

When uber-rich industrialist Zsa-Zsa Korda (Benicio Del Toro), survives his yet another assassination attempt on his life that sees him walk away from his 7th near-fatal plane crash he embarks on his greatest scheme, the Phoenician Scheme and attempts to reunite with his estranged daughter and nun in training, Sister Liesl (Mia Threapleton) and his nine sons. Meanwhile his many enemies, fellow tycoons set out to destroy him, his legacy and his new scheme once and for all, leading Korda and his daughter to embark on a quest to save his dream.

Oh my god, what a film what a film! I realise that this will polarise many people but for me, this is the film of the year! Hands down!

A glorious film, as always art directed and directed to near perfection by Wes Anderson, whose unique visual vision makes his films instantly recognisable. From his meticulously designed sets to his idiosyncratic camera moves his films have an identity that is indelible.

The performances by the superb ensemble cast are all expertly mannered and 'acterly' as if appearing in an am-dram performance and it matters not one jote. Del Toro is superb, as is Mia Threapleton, but the MVP is Michael Cera who brings a wonderful energy to his role as the socially awkward home tutor Bjørn Lund who gets dragged into the globe trotting adventure.

Every aspect of this film was a pure delight, from the soundtrack, the style and direction, it's at turns funny, and dramatic and frantic. Whether you like this film or not will rely entirely on what you think of Wes Anderson's other films, and if you're a fan of his wonderful oeuvre then get ready for 109 minutes of pure bliss. 

I cannot wait to see this one again and again!

10/10   

#36: MISS IMP: FIN REC

 

STARRING: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett. Written by Christopher McQuarrie and Erik Jendresen. Directed by Christopher McQuarrie. Produced by Christopher McQuarrie and Tom Cruise, stunt flying in helicopter Tom Cruise, stunt flying in airplane Tom Cruise, underwater stunt man Tom Cruise. Budget $300-400 million. Running time 170 minutes.

I'vegottobequickcostheresalottocraminandIdonthavetimeforpunctuation.

No, that's not going to work. Look, this is the eighth and, we're told final MISS IM movie and there's a lot to cover but only three hours worth of film time to tell it in.

It starts the minute the screen lights up and then just goes, like a jet-car at 300mph, there's absolutely no time for anything but plot, in this film even when Cruise is not running from A-B, he's running on the spot, seriously. There was a scene that was cut out where Cruise is running on the spot while trying to do a poo, and it wasn't nice. So, Cruise is on cruise-control for the whole film, every problem presented is dealt with bang, bang as it races to the ending. Everyone has their eye on the clock and no time is spent, or wasted, on meaningful silences, pregnant pauses or moments of somber introspection. NO SIR! There's a goddam world to save from a totally evil AI, and quite so in this film because world is literally 3 days away from total global armageddon and nuclear annihilation. In fact, it's hardly surprising Cruise and everyone is running so goddam fast, like me they're just trying to arm-aggedon out of here!

SO. The last time we hung out with Ethan and the gang in MIS IM: De Rec P1, they were up against the Entity - a super intelligent, sentient, AI that had escaped into the real world and gone rogue and a whole bunch of people wanted the tech. Aided by a shadowy character called Gabriel (Henry Czerny), who killed Hunt's first girlfriend in the past. He was a driven, evangelical and deeply fanatical henchman who believed the Entity was going to save the world. Ethan spent the whole film trying to find and hold on to two currant bun keys that when wedged together would open the vault thingie that housed the Entity, which was hidden in the bowels of a sunken Russian submarine, although no one knew where. The film was gripping, exciting and laid the ground work for this, MIS IM: The Fin Rec.

So, in this one, armed with the current buns Ethan heads off to find the sub, evade every single law enforcement officer in the world and try and stop both the Entity and Gabriel before either one of them can do something bad. There's atomic bombs to defuse, hijackings, car crashes, chases, gun battles, knife fights, fisticuffs, and thrilling death-defying stunts that leave you on the edge of your seat. 

So why didn't I love it more? I have to say this isn't a bad film, I didn't fall asleep once, I was gripped and the three hours flew by, but by the same measure I left a little underwhelmed, it was good, but didn't soar, gripping but not insanely thrilling and there were some plot decisions which were very poor, indeed laughable. 

I was frustrated that Gabriel who'd been such a great foil for Cruise is reduced to nothing more than a moustache twiddling cartoon villain in this outing cackling evilly at times to remind us he's evil, but most annoying the Entity which featured so heavily in the last film disappears for a huge chunk of this film and even more maddeningly doesn't have a final showdown with Ethan, sure he's at the climax but I wanted a final confrontation. 

The action is superb but gone was any sense of a team of agents working together to save the world, the film tries and succeeds in tying together the past films in the series, with previous plot devices and story threads cleverly woven into this. But at times this came across as a Tom Cruise: Miss IM: Greatest hits show, with this incredible achievements acknowledged in a sort of film festival sort of way, you have expected Cruise to stand up and accept the award while in the background on the big screen a compilation clip is show of all his best bits, oh wait. That's exactly what happened! 

Look, I love the Miss Im films, well all except the second one, which is an absolute pile of donkey dicks. And in preparation for this one Pet and I rewatched them all, including the second one and I have to say that despite how entertaining this was, it wasn't as good, it didn't roar, it sort of hummed. But that's not to say this was a bad film, it just wasn't as good as I wanted it to be. There was too much incident, and too much time was taken in just getting Ethan and his band together for the final act. Indeed it felt that 2/3rds of this was just the premable, which was all too linear, there were no surprises, everything was methodically laid out, every problem was dealt with as the team moved on to the next. Perhaps one of the high lights was the unexpected return of a character from the first film who proves to be an absolute delight. 

However, all that said, this had great stunts, my god, the stunts were amazing, that bi-plane stunt will have you holding your breathe, and that coupled with great action, and some nice character work including managing to make Simon Pegg likeable (and all it took was a collapsed lung), the direction by Christopher McQuarrie is superb, he and Cruise are a great team, the music was perfect and action was good and yet... 

I saw this last week and I've been mulling it over for a week, I've even talked to a couple of critics for their opinion and we all seemed to feel the same way, that it was 'good, but not great'. And alas at the end of the day I really wanted this to be great, to end the franchise on a beautiful high. 

8/10 

#33-#35: LIFE AQUATIC WITH STEVE ZISSOU, FANTASTIC MR. FOX, THE GRAND BUDAPEST HOTEL

 

We've been blessed by a recent re-release of some Wes Anderson oldies and what a treat. Sadly, The Royal Tennanbaums got cancelled, and they didn't show my personal favourite Anderson, Rushmore, but that's the only negative.

Life Aquatic with Steve Sizzou is edgiest of the three, but with the best soundtrack, I find it probably the saddest of his films. The performances are exceptional, with Bill Murray soaring the highest. Mr Fox is gloriously animated and Anderson's unique visual style is allowed to zing but for me the Grand Budapest Hotel was simply flawless and it's probably my joint favourite Anderson movie along with Rushmore. It's so layered, both in characters and plot, it's relentless and feels like a screwball comedy. Ralph Fiennes has never been better his creation of Guastave is sublime. I cannot fault this film, I loved every second and would have happily watched it again straight away. I watched it with a grin and found myself delighted endlessly by the visual brilliance of Anderson, and beautiful elegant storytelling.

Wonderful stuff.

Life Aquatic with Steve Zissou   9/10
The Fantastic Mr. Fox                9/10

The Grand Budapest Hotel        10/10

#32: FINAL DESTINATION: BLOODLINES

 

STARRING: Kaitlyn Santa Juana, Teo Briones, Richard Harmon, Owen Patrick Joyner, Rya Kihlstedt, Anna Lore, Brec Bassinger and Tony Todd. Written by Guy Busick and Lori Evans Taylor from a story by Jon Watts, Guy Busick and Lori Evans Taylor. Directed by Zach Lipovsky and Adam Stein. Running time 110 minutes.

I'll say this about Death, he's not very good at his job if this latest installment in the 25 year-old franchise is anything to go by, because yet again he managed to avoid a whole family worth of victims who should have died but somehow avoided his tender mercies.

The best thing about the Final Destination franchise are the ridiculously convoluted deaths and this installment is packed to the brim with some truly spectacular deaths, deaths that make you laugh in delight. It's interesting that I've no longer got any time or patience for slasher films, I hate watching people getting stalked and slashed by masked killers, but watching a cast of characters dying gruesomely in so called accidents is an absolute blast! 

Plus Psycho Gran gets a sort of mention.

And that's about it! I very much enjoyed this movie. 

8/10

#31: FINAL DESTINATION

STARRING: Seann William Scott, Devon Sawa, Ali Larter, Kerr Smith, Tony Todd. Written by Glen Morgan, James Wong and Jeffrey Reddick, from a story by Jeffrey Reddick. Directed by James Wong. Originally released in 2000. Budget $23 million. Running time 98 minutes.

A group of excited teenage high school kids board a plane for a trip to Paris. One of the kids, Alex Browning (Ali Browning) has a horrific premonition that the plane is going to go down in a ball of fire and gets himself and five other passengers thrown off the plane. When the plane promptly explodes killing everybody onboard, Alex is ostracised by both the other survivors and the families of the victims. He's also a person of interest for the FBI who hound him constantly assuming he had something to do with the disaster. When the survivors start dying in a series of ghastly, gruesome, elaborate W.H.Robinson style accidents, Alex realises that because they've all cheated Death, Death is now coming for them, can Alex find a way to survive? 

What follows is an enjoyable, gory, slasher film, where the deaths cause you to laugh with amusement, so inventive and outlandish are they. You find yourself trying to second guess how each death is going to occur. Naturally, when I first saw this the shocks worked brilliantly, this time round, you remember what's about to occur. Although that doesn't stop this from still being a lot of fun. 

It's directed and edited well, the performances didn't win any Oscars and it's done and dusted in 98 minutes. It's not a film you need to rewatch over and over again, but once every 25 years seems about right. 

Overall, this isn't big, or clever, it looks a tad cheap and low budget, but  nevertheless it's silly, exceedingly gruesome and loads of fun. Like watching 24 HRs in A&E, but one where you not only get to see the accidents too. 

7/10 

#30: THUNDERBOLTS*

STARRING: Florence Pugh, Sebastian Stan, Wyatt Russell, Olga Kurylenko, Lewis Pullman, Geraldine Viswanathan, David Harbour, Hannah John-Kamen and Julia Louis-Dreyfus. Screenplay by Eric Pearson and Joanna Calo. Directed by Jake Schreier. Budget $180 million. Running time 126 minutes.

Facing impeachment, Congress woman and C.I.A. Director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) decides to destroy all evidence of her criminal experiments and illegal covert activities by sending all of her various freelance enhanced agents, Yelena Belova (Florence Pugh), U.S. Agent (Wyatt Russell), Ghost (Hannah John-Kamen), Taskmaster (Olga Kurylenko) to a top secret storage facility in the desert to kill an intruder and destroy everything they find inside. However the various characters all discover they've been lied to by Fontaine who wants all of them dead and they find themselves locked deep underground in the complex which is counting down to destruction. While bickering and fighting, they manage to release a young man called Bob, who has no idea where he is or why. Together they manage to escape the base and find themselves on the run from Fontaine and the might of the US Intelligence services. Luckily Yelena's dad, Alexei Shostakov aka Red Guardian (David Habour), helps them escape and with the aid of Bucky the Winter Solider (Sebastian Stan) the gang of misfits team up to stop Fontaine and her incredibly powerful new enforcer called Sentry.

Well, here we are the 36th installment of the MCU and the last film in the utterly terrible Phase Five series that has included some of the worst movies in the entire canon including: Pant-Man and the Wasp: Quantum-tedium, The Marbles, and Crapton Americant: Bland New World. As well as the mediocre Guardians of the Galaxy Vol 3. and the candy floss emptyness of Deadpoo and Wolverwhine.

But what of Thunderbolts*? Well, what an utter and unexpected surprise, this one ain't just not bad, it's actually pretty goddam good! A very satisfying, funny, action-packed and engaging movie with good performances, especially from Florence Pugh who is this film's MVP, and backed up by solid turns by the rest of the cast and a very game Julia Louis-Dreyfus who brings a glorious level of comedic malevolence to the role of Fontaine.

The time flew by, there was no saggy middle, and it had not only a strong emotional arc but also a good third act structure and conclusion. And I'm as surprised by this outcome as you probably are. I'm sure, like me, you probably can't see the point in a film featuring a bunch of characters you either don't know or can't remember, but wasn't that the same for the first Guardians movie? And this one too creates something enjoyable with an unknown cast of characters. 

Sure it's not perfect the ending feels a little rushed but regardless it's thoroughly entertaining, satisfying and the cast have good group chemistry together. The humour isn't forced or too much like the last two Thor movies, and the the film isn't flooded with too many pixels like Pant-Man. And finally there's no spinning vortex of doom and no 'oh my god the whole world, sorry Solar System, sorry Universe is going to end.' threat. Even if it is city-sized.

Actually going to go and see this again as a double bill with The Accountant 2.
Hopefully this will see off the curse of super-hero fatigue to do well at the box office, cos it deserves too.

And as always with these films there are two post credit stings, the first is an amusing throw away but the second at the very end had me squeaking in delight, although I guessed what was about to occur, it's for once well worth the long slow crawl through the credits.

8/10