#57: DISCLOSURE DAY

 

STARRING: Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, Colman Domingo, Wyatt Russell, Henry Lloyd-Hughes and Elizabeth Marvel. Screenplay by David Koepp. Music by John Williams. Directed by Steven Spielberg. Budget $115 million. Running time 145 minutes. 

Cybersecurity expert Daniel Kellner (Josh O'Connor) is on the run with his ex-nun girlfriend Jane Blankenship (Eve Hewson) from Wardex Corp's Noah Scanlon (Colin Firth) and his private army of storm troopers and tech team. It turns out that Daniel has stolen a vast cache of UFO data and is threatening to expose it. Meanwhile Kansas City TV weather girl, Margaret Fairchild (Emily Blunt) seems to be having a nervous breakdown, when live on TV she starts talking in guttural clicks and whistles, not only that but she can talk fluently in foreign languages she couldn't speak before and she can read minds too! Anyway, these two crazy kids are on the lame and being chased by Noah and his gang of corporate thugs and desperate to meet up with Hugo Wakefield (Colman Domingo) who used to work with Noah at Wardex, that is till he defected and set up a force to combat his old boss and expose the secrets of alien visitations. 

Now, against the backdrop of an impending World War, our two plucky heroes must dodge pursuit, meet up, unlock their shared childhood traumas and somehow find out what the ruddy hell is going on!

And such is the plot of Steven Spielbergs' 37th feature film. It reminds one of the infinitely better One Battle After Another, but regardless, this was an exciting science fiction thriller that starts brilliantly well but slowly runs out of steam in the third act, there's no way it couldn't. There'san odd moment late in the third act  which stymied it for me, although not enough to ruin it completely. Emily Blunt is the 100% the film's MVP, she is mesmerising, engaging and simply superb in the role of the Weather girl coming to terms with mysterious powers. Similarly, lug-eared Josh, rumoured to be in contention for the coveted role of Bond (God, I hope he doesn't get it), also delivers in the acting dept, his role, which starts as the main focus of the film, but slowly gives way to Emily Blunt as her significance becomes apparent. Leaving Colin Firth as the villain who brings a genuine sense of sinister intent to the role, even if he too feels mostly underwhelming by the end.

Even an averagely made Spielberg film still looks good, boy does that man know how to stage action set-pieces and how to block dialogue heavy exposition scenes. John Williams soundtrack sounds fresh and easily melts into the background becoming almost unheard and yet at the same time increasing the emotional pull of the film. A true master class in soundtracks. The script by David Koepp, from a story by Spielberg, keeps on upping the ante and building to an almost satisfactory ending, the only fly in the ointment being the sudden and almost total disappearance of the bad guys in the final reveal, but that's the script's fault not Spielberg's. 

I thoroughly enjoyed this and those two hours and 25 minutes flew by like an Unexplained Arial Phenomenon.

8/10