#58: INTER-STELLA!!!! TAKE 2

Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Bill Irwin, Ben Affleck, John Lithgow and Matt Damon. Music by Hans Zimmer. Written by Jonathan and Christopher Nolan, directed by Christopher Nolan. Budget $165 million. Box office takings so far $774.7 million. Running time 169 minutes long. Originally released in 2014.

INTER-STELLA!!!!!

One hundred and sixty nine minutes long! That's bum numbing and no mistake and it certainly cost this re-release several punters, but that's over shadowed by just how packed the screen was for this 12 year-old film, it's was practically packed, and since you weren't there you'll have to take my word for it. 

ANYWAY, 12 years ago I gave this 9/10 but what was my take this time round? Before I get to my reconsidered score I thought I'd share my review from that original screening. 

In the near future, although when exactly is never stated, the world is slowly dying and mankind is in danger of meekly going into the night. With dust storms sweeping the world (or atleast the US, cos let's face it, that's all the world we need to see) to the death of crops due to the 'Blight', things aren't looking all that rosey for mankind and in particular, ex NASA astronaut and engineer, widower, parent of two, Cooper (McConaughey) whose life and farm is slowly becoming entombed in the ever-encroaching sand. One day, while following mysterious magnetic signals he is lead to a secret NASA underground complex and offered the chance to pilot a mission to a universe on the other side of a newly discovered worm hole in orbit around Jupiter. That universe seems to offer a choice of 12 different planets for mankind to relocate to and our plucky, huge-headed, hero takes it like a randy sheep herder left to gaurd a flock of ridiculously attractive young spring lambs. Alas he must leave behind the one thing he loves most in the world, his young brilliantly precocious daughter, Murphy. Oh and his son, Thingie. (not me, that's actually his name.) And to make matters worse he has no idea how long he'll be gone...

What follows is a serious, intense drama that's the true definition of a Marmite experience and no mistake. Loved or loathed and not much in the middle.

It's interesting to note that in the lead up to this film, the expectations of the online film community and its ilk was insanely high and now that the film is out, most of those eager and excited film sites have laid into it with a passion, sighting each and every slight and error, berating it from the sound design to the IMAX ratio to the introduction of the battling banjo sequence during the post credit sequence and most bizarrely the physics behind the science fiction. They delight in pointing out each and everything wrong with it. The trouble is, I think they're missing the point. This is an astonishing film of great scope and superb craft, Nolan is perhaps, the finest and most technically accomplished director of his generation and I'm hard pressed to think of another director with the same scope the same ambition. He might even be the next Kubrick, or at least a Kubrick cut with a healthy dose of Speilberg.

This is a film that reminds you of previous movies, most particularly 2001: A Space Odyssey and Contact, but that isn't a negative comment it's just cut from the same cloth. It feels like a brave film to make in the 21st century and it's amazing that Nolan was able to get an industry obsessed with franchises and super-hero movies to make a one-of-a-kind science fiction flick with no chance of a sequel.

I could sit here and winge on about all the minor plot holes and petty things that niggled me but the truth is that once the film had had finished I felt awed by what I had see, touched by aspects and emotionally satisfied.

I can't remember the last time I saw a meaty, solid, adult science fiction film without a single laser gun, battle fleet or explosion, well okay, one explosion or one that so engrossed me and yet i listen to the haters and I fully understand their frustrations and I even agree with many of the nit-pickers but it didn't matter to me, I was lost in the scope of the thing. It is a spectacle that deserves to be seen. Just don't blame me if you hate it.

9/10 

So, what now 12 years later has my opinion changed, do I see through it like the Emperor's New Clothing or am I still in the thrall of the Cult of Nolan? Well, truth be told a bit of both. On one hand it's a delight to see Hollywood making these sorts of films and it laid the path for films like The Martian, Terry and Dune 1 & 2, Project: Hail Mary and even this year's  Disclosure Day. It's a poe-faced serious science fiction film without space battles, robots and all that stuff, even if it does have robots, a fight in space suits and a frantic space battle, but it's also one of those SF movies that suffers from Star Trek:TOS-itous, that of 'love' saving the day. I went into this bemused by the memory of it ending up with McConaughey in a 5-dimensional library throwing books at his young daughter but wasn't that bothered by it this time. I had more problems with the plot contriving a trip to NASA through a morse code signal, that seems a little plotty for me. That plus the massive concrete spaceship, which similarly made no sense, but beneath it all there was some good stuff here and I found my self engrossed and falling for it again. It's not perfect, there are still things I struggle with plot wise, but once the drama starts it doesn't let up and it's enthralling. Plus this time round I found Hans Zimmer soundtrack extremely effective. Overall this was still satisfying and even a little heart tugging at times. I glad I resaw it and judging by the number of people in the screening I wasn't alone. And once again, how great to see it up there on the big screen again.

This still gets a solid 9/10