Monday, 22 June 2026

#60: ARMAGEDDON



STARRING: Bruce Willis, Ben Affleck, Liv Tyler, Billy Bob Thornton, Will Patton, Peter Stormare, William Fichtner, Micahael Clarke Duncan, Jason Issacs, Peter Stormare, Keith David, Owen Wilson, Steve Buscemi and Ken Campbell. Story by Robert Roy Pool and Jonathan Hensleigh, adaptation by Tony Gilroy and Shane Saleron, screenplay by Jonathan Hensleigh and J.J. Abrams. Directed by Michael Bay. Budget $140 million. Running time 150 minutes. Originally released in 1998. Box office haul $553.7 million.

Back in the day, competing Hollywood studios would often release conflicting films based round the same idea and back in 1998 it was asteroids, there was this and my personal favourite Deep Impact. But of the two, this one, the Michael Bay one was by far the most stoopidist and outrageous, with ridiculous overblown performances, action excesses and insanely bombastic action set-pieces. Released at Cannes of that year, the howls of derision that greeted its screening by the assembled critics of the day prompted a very peeved Bruce Willis to growl, "Well I'm glad you all find the end of the world so amusing." Watched today 28 years later it transcended mere ridicule to become a overblown, over-wraught and expert rollercoaster of pure excess, Michael Bay's OTT direction style is perfect for this film, filled with patriotic sepia tinted slow-motion shots of space-suited heroes, or explosions, or Norman Rockwell middle-America huddled round bakerlite radios and montagues of famous foreign cities and monuments getting obliterated by chunks of sky rocks. All accompanied by a blistering rock soundtrack. This is a world where women are all big breasted and stunning and don't have a lot to do except for being trophies to be won. This is a film that starts with the destruction of the dinosaurs and just keeps getting bigger and louder till the never-in-doubt ending when Bruce Willis saves the whole goddam world, thank you very much!

The plot, as if you need telling, sees the world threatened by an asteroid 30 x bigger than the pissant little pebble that took out the dinos 150 millions years ago, as Charlton Heston, no less, informs us at the beginning. Cut to the present and a space shuttle and crew are shredded alerting the Earth to its impending fate in just 17 days. This forces Nasa, lead by Billy Bob Thornton, to recruit the best-of-the-best oil-rig men in the world on a suicide mission to the asteroid to drill 800 feet into core and detonate an atom bomb, just the sort of thing oil-rig men are trained for. Well, lucky for NASA the best goddam oil-man in the business Harry (Bruce Willis), his daughter Liv Tyler, and his misfit gang of loveable rough-neck work men that includes Ben Affleck (who's in love with Harry's daughter), Will Patton, Owen Wilson, Michael Clarke Duncan while back on Earth Billy Bob Thornton and Willaim Fichtner do their damndest to save them from the attentions of Keith David who's the President's main general. 

Look it doesn't matter what the plot is, this film isn't about plot it's about bombastic, over-blown action delivered in a glossy box of cutting edge effects, well cutting edge at the time, and more explosions and car crashes than you can shake a shitty stick at. It's directed by Michael Bay who wrote the book on explosions and would go on to make some of the most awful action films in history, including too many of the Transformers movies, Bad Boys I & II, The Ambulance, Pearl Harbour and The Rock (his only good film). But when you consider that he's fifth-most commercially successful director in history and his films have taken over $6.6 billion dollars worldwide shows that I know nothing about film.

Watched as a full-blown comedy action caper this was a mindless, ridiculous and unbelievably silly romp that entertained and didn't outstay its welcome, despite being over 2 1/2 hours long. Bruce Willis fully commits to his role as the world's greatest dad and hero and you can see he truly believes in the role. The effects are terrific and the sense of American jingoistic fervour drips from the screen. 

A hoot to see it up there on the big screen again and a reminder that Hollywood just doesn't make this sort of thing any more.

All that said, I still preferred Deep Impact.

8/10 

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